Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purpose of the exhibit is to create opportunities for UO students to learn about and engage with the city of Eugene and the greater Eugene community. https://www.eugene-or.gov/4636/Murals

The Ducks in Downtown section will of the display will be photos from you, out in town seeing the wonderful art.

Send in a photo with a Eugene mural to be a part of the exhibit and a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit, you must sign a model release form. more information on our instagram https://www.instagram.com/uomcmillangallery/ or email us. Only photos on display at the date of the drawing will be entered into the raffle. All are welcome to submit photos for the gallery, but only UO students are eligible to be entered into the raffle. 

Reception October 13 5:30 p.m. to 6:30 p.m. free refreshments, open to all

Calendar entry image of mural by AIKO (Japan/USA) Reflection

This thematic exhibition incorporates student research from History of Art and Architecture Professor Akiko Walley’s spring 2026 Japanese print course that focused on “the dramatic,” including dynamic prints of Kabuki theaters and actors, changing expressions of human bodies, and dramatizations of historical events and legends. Featuring recent gifts by Lee and Mary Jean Michels and Irwin Lavenberg, the undergraduate and graduate students in the course examined woodblock prints of the 18th-20th centuries that showcased action and powerful emotion with compelling graphic design. The exhibition is complemented by a selection of Japanese modern and contemporary prints, paintings, textiles, decorative arts, addressing the theme of “drama,” and includes a number of recent acquisitions. This exhibition was coorganized by chief curator Anne Rose Kitagawa.

Jeffrey Gibson: They Teach Love presents a survey of 20 artworks by Jeffrey Gibson (American, b. 1972), one of today’s foremost contemporary artists, curated exclusively from the collections of Jordan D. Schnitzer and his family foundation. Gibson, who is of Mississippi Choctaw and Cherokee heritage, combines aspects of Indigenous art and culture with modernist traditions, navigating and disrupting the expectations placed upon Native artists working within the contemporary art world. By uniting sculpture, paintings, prints, and video with elk hides, tipi poles, wool blankets, beadwork, and fringe, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags, flags, banners, and illuminated signs) to art objects that vibrate with spiritual power, carrying his belief that objects, and people alike, have the potential for radical transformation.

The exhibition’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-based projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Working and learning together may aid in decolonizing minds and institutions, revealing a future we wish to inhabit. In 2024, Gibson was selected as the first Indigenous artist to represent the US Pavilion with a solo presentation at the Venice Biennale, further demonstrating how his vibrant and powerful voice continues to broaden the view of American art history, contemporary times, and our future.

Jeffrey Gibson: They Teach Love – From the Collections of Jordan D. Schnitzer and His Family Foundation was curated by Ryan Hardesty, Executive Director and Curator of Exhibitions and Collections, Jordan Schnitzer Museum of Art, Washington State University, for its originating institution in 2023. Its presentation for the UO’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp, McCosh Curator.